Fra
搜索"Fra" ，找到 1070部影视作品
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达里奥·阿基多
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美国作家彼得•尼尔（Anthony Franciosa 饰）善写恐怖惊悚小说，其作品风靡欧洲各国。不久前，意大利出版了他的最新作品——《坦妮布丽（Tenebre）》，很快他便收到大香伊在人线9视频一封来自罗马的信件。来信者称他从彼得的作品中得到灵感，并运用到杀人的实践中去。随后一名年轻漂亮的女子被人残忍杀害，其作案手法正与《坦妮布丽》中的杀人手法相同。 彼得立即联系罗马警方，两名得力警探（Giuliano Gemma & Carola Stagnaro 饰）随即受命调查此案。然而罪犯并未就此罢休，不断有年轻女性遇害。一时间人心惶惶，形势迫在眉睫……
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山川吉树 / 樱井亲良 / 铃木健太郎 / 松泽建一 / 桥本敏一 / 冈村正弘 / 守田艺成 / 樱美胜志
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幼时曾深陷绝望深渊的直枝理树，与4位少年少女相遇了。 在那之后数年，理树作为Little Busters的一员，喧闹地过着快乐的每一天。 这样的时间能够一直持续就好了。理树所期望的只有这样。 某日，恭介突然表示要成立一支棒球队伍， &nb陷阱马东锡sp; 理树则开始了寻找成员的任务。 在这样的过程中，理树邂逅了新的成员们。 和大家一起参加试胆大会，潜入女生宿舍时被换上女装，一起演人偶剧……。 经历了许多快乐的事情， 同时也在大家的帮助下解决了各自拥有的烦恼。 最后在棒球比赛中，理树确认了和最好的朋友们之间的牵绊。 ——然而，这并不是结束。 和来谷唯湖之间的故事。 理树与铃的故事。 以及，理树和铃终于知晓的“世界的秘密”。 Little Busters真正的物语，自此开始——。
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法兰提塞·维拉席
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In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil. The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by Fran索多玛的120天 快播tišek A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968). Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace. As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery. Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed t多功能老婆在线观看hrough the air towards the miller's door. The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more. Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as八度电影 the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village. The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act. The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.
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西德尼·海斯
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Norman Taylor is a successful young professor, married star 369with Tansy Taylor. He is a very skeptical man, while his wife believes in magic and witchcraft. One day, he finds lots of amulets and witchcraft in his house, and he decides to destroy all of them. Hi夫妻露脸s wife gets scared and advises him that he destroyed all the protection their home and lives had against the evil of envious and wicked persons, includi黄页网络免费站ng some of his colleagues. Norman in principle does not have faith in her, but many strange events happen with him, and he changes his mind
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Gualtiero Jacopetti,Franco Prosperi
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内详
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Mondo cane (A Dog's World, 1962) is a documentary written and directed by Italian filmmakers Paolo Cavara, Franco Prosperi and Gualtiero Jacopetti. The film consists of a series of travelogue vignettes that provide glimpses into cultural practices around the world with the intention to shock or surprise Western film audiences. These scenes are www. 5233tv.com presented with little c地下赌王ontinuity, as they are intended as a kaleidoscopic display of shocking content rather than presenting a structured argument. Despite its claims of genuine documentation, certain scenes in the film are either staged or creatively manipulated to enhance this effect.
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雅克·费代尔
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Released in France as La Kermesse Heroique, Carnival in Flanders is set during the long-ago war between the Dutch and Spanish. A tiny village in Flanders is invaded by Spanish troops. The townsfolk have heard of Spanish cruelties in other t出火网花owns, and decide to deflect the vanquishers by playing dead. This isn't terribly effec小草在线观看播放tive (you have to take a breath once in a while), so the wife of the burgomaster tries to soften up the invaders with a lavish carnival. So successful is this venture that the Spaniards allow the village to escape being decimated, or even taxed. An award-winner many times over, Carnival in Flanders was banned in Germany; evidently, Goebbels caught on that director Jacques Feyder and scenarists Berna术士的重启人生rd Zimmer and Charles Spaak were drawing deliberate parallels between the Spanish and the then-burgeoning Nazis.
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路易·德吕克
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Though Delluc's career was short-lived, it burst vigorously(7 films in 4 years)that it forever left its imprint on french cinema history, and they rightly honoured him by giving the annual Prix Delluc to the best French film of the year.榴莲视频秋葵视频草莓视频网站下载 He was responsible for the creation充气仿真娃娃官网 of influential cinema journals like Le Journal du Ciné-Club and Cinéa, founding numerous film societies, writing countless articles and coining the term "cineaste". Delluc believed that films should be set in the natural without elaborate posturing, and characters should be portrayed in an intimate way where the past and present, illusion and reality can be correlated, all considered to be avant-garde at its time. He died only a few weeks after the shooting of 步步惊心续集 玉朵朵The Flood at the age of 33.
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斯特凡·乌赫尔
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A group of Czech artists choose to ignore the realities of Nazi occupation in this brooding experimental war drama. When a pretty female refugee comes to town seeking help, she awakens the sexual desires of all the亚洲星光大道 men, but the only one who helps her is a sympathetic sculptor. When she is allegedly killed, the man sends the artists who refused to aid the woman death masks of the victim. All later conclude that the woman was not mortal.
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特瑞·吉列姆
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杰克（杰夫·布里吉斯 Jeff Bridges 饰）曾是一名电台主持人，一次意外中，他的不当言辞导致了了一个名为埃德温（克里斯蒂安·克莱门松 Christian Clemenson 饰）的男人精神崩溃举枪乱射，酿成了多人伤亡的惨痛后果，心中充满内疚和痛苦的杰克从此陷入了人生的低谷无法自拔。
金泫雅婐体艺术照
&amj20发动机p;nbsp;杰克结识了名为帕里（罗宾·威廉斯 Robin Williams 饰）的流浪汉，令杰克没有想到的是，竟然是自己造成了帕里的疯疯癫癫。原来，帕里曾是一名学富五车的教授，他的妻子正是埃德温枪下的冤魂，帕里无法承受失去妻子的痛苦，发了疯。为了弥补自己的过失，杰克决定帮助帕里。最终，杰克不仅撮合了帕里和女秘书莉迪亚（阿曼达·普拉莫 Amanda Plummer 饰），还成功的令帕里恢复了理智。
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约瑟夫·卡安
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“Mariah’s Christmas: The Magic Continues” is a highly anticipated holiday special that will reveal the first and only performance of the multi-Grammy Award-winning global icon’s new single, “Fall in Love at Christmas.” Mariah Carey is joined by Grammy-nominated worldwide artist Khalid and Grammy-winning legend Kirk Franklin, as they bring the spirit of Christmas to fans around the world. The Queen of Ch抗日奇侠演员ristmas will also ring in the holidays with a dazzling, new rendition of fan favorite, “Christmas (Baby Please Come Home).” The holiday spectacular will also feature an exclusive interview with Apple Music’s Zane Lowe and Carey, along with her 10-year-old twins, son Moroccan and daughter Monroe, as they share favorite holiday moments, and Carey celebrates her beloved holiday classic, “All I Want For Christmas Is You,” and Apple TV+’s perennial smash hit, “Mariah Carey's Magical Christmas Special.”
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埃里克·冯·施特罗海姆
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Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"? The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates焱木燊怎么读 that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
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让-马里·斯特劳布
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81-year-old master, Jean-Marie Straub, once again invents and surprises with his latest film. Kommunisten consists of six parts, five of which have been taken from his earlier works. Straub does not aim to be self-reverential, but instead wants to make different blocks (of text, time, and languages) clash so as to highlight invisible elements of feelings and politics. It is a film about human adventure, from the past century to the one ahead. In this project, all the things that the films of Jean-Marie Straub and Danièle Huillet 活佛济公3主题曲have been based on for the past fifty years, find their most raw and recent form.
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Gerd F. Schultze
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In celebration of her upcoming new album Hymn, best-selling soprano Sarah Brightman is in cinemas with an incredible performance. HYMN: Sarah Brightman In Concert was cap双食记下载tured live for the big screen from the Festspielhaus in the enchanted Bavarian Alps, known for the historic and captivating Neuschwanstein Castle. Staged in two acts, the 90-minute performance is a hybrid of a musical film, a classical-crossover program and a large-scale concert production. Brightman is accompanied by her band, the Bavarian Philharmonic orchestra, a 5julia 乳奴隶0-voice choir and the Ludwig Ensemble of dancers. The concert was conceived and created by Sarah Brightman, Anthony Von Laast, and Frank Peterson.
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Francis Whately
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本系列致力于探索英国在讽刺文学和猥琐粗俗的幽默上面的传统。 第一集 有史以非会员试看十分钟做受小视频来最讽刺、下流、猥琐、无礼的历史 本片从18世纪早期的乔治王朝统治时期入手，给大家展示全国性的公开粗俗，简直让人震惊！贺加斯，吉尔雷，罗兰生，克鲁克香克笔下的绘画，以及约翰·盖伊和亨利·菲尔丁笔下光怪陆离的戏剧世界会让我们大开眼界。歌手露西·斯吉平会带我们一览乔治王朝粗俗下流情歌的盛况。我们还会从蒲伯，斯威夫特，拜伦以及斯特恩入手，研究一下那个时代脏话的文学起源。 第二集 荤段子与艳照 在维多利亚时期严谨，纯洁，禁欲的价值观中幸存下来的英国讽刺文学和猥琐粗2012高清免费视频国语俗的幽默传统，是如何在20世纪前半叶得到了繁荣发展？我们回去调查由摄影技术引发的道德恐慌，因为火辣的照片变得唾手可得。我们还会去关注由早期连环画经典形象Ally Sloper所存在的那个粗鲁又讽刺意味鲜明的世界。最后，咱们要去看看码头上的西洋景以及唐纳德·麦吉尔的明信片艺术中如何催生出了海滩上的猥琐文化。 第三集 猥琐到极致是谓无敌 关于英国讽刺文学和猥琐粗俗的幽默传统的探索将会把视线转向20世纪60年代出现并持续至今的大众民主式的粗鲁野蛮。我们将会探索复兴的粗俗政治漫画，Viz杂志中的滑稽艺术，乔·奥顿的剧院，霍恩周围的无线电广播，以及地下杂志Oz。电视上粗俗的历史可以从《永不分离》追复仇者联盟4溯到《小不列颠》...最后我们要关注，性别歧视者和种族主义者是如何看待这些粗俗喜剧的。
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伊日·门泽尔
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In this film, a couple, after seeing the lovely job a friend of theirs has done in converting an old mill house into a cozy mansion, moves into an old farmhouse after persuading the ctoupaizuoaiurrent owner, an old man, to leave. When they arrive, he appears to be preparing to leave, but it soon becomes evident that the man has no intention of going to live with his children, and intends to stay in the house. At first, they find his presence unbearable, but when he must go to the hospital, they begin to realize that they care for the feisty old gentleman.
&am离人心上番外免费观看p;nbsp; ~ Clarke Fountain, All Movie Guide
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盖瑞·马歇尔
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爱德华•刘易斯（李察•基尔 饰）是一个拥有百万身家的企业家。他潇洒迷人，但总是无法处理好与女人之间关系，内衣办公室1他跟女友分手了。他到洛杉矶出差，晚上开着一辆借来的高级轿车进入了红灯区。由于迷失了方向，他向一名色清片年轻漂亮的妓女薇薇安（茱丽娅•罗伯茨 饰）问路，薇薇安的活泼美丽吸引了他，他把薇薇安带到了酒店。爱德华爱上了薇薇安并极力想留下她，但碍于情面只能用钱做掩饰，让她在一周内充当爱德华的交际活动女伴。宴会上，薇薇安的魅力让爱德华醋意大发。此时薇薇安也发现自长大导航己爱上了爱德华，可是一周的时间马上要过去了，两个相爱的人又该何去何从？
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Andrew Beall,Frank Molieri
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幸福是什么？Linus说，幸福是那条哪怕破了、潮了，也依然美丽的蓝色毛毯； Lucy说，幸福是温柔的凝视着弹钢琴的男孩，哪怕他眼里只有贝多芬；Snoopy说，幸福是躺在红色小木屋上，睡到自然醒。 Linus的幸福之源——毛毯总是和Linus如影随形。Linus有多喜欢这条毛毯，其他伙伴就有多希望这条毛毯消失。于是Linus的姐姐Lucy骗他说，如果不改掉这个毛病，不久要来的奶奶就会亲自处理他。这句话让Linus听的瑟瑟发抖。于是在小伙伴的帮忙或捣乱的情况下，Linus开始了这场遗忘毛毯之旅。但分别总是令人格外痛苦，伤心的Linus只想告诉大家：我帐中娇妾只是需要我的毛毯，这有错吗。
