帕斯卡尔·普朗
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帕斯卡尔·普朗特
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The day Kelly-Anne has been wai泰国最新电视剧ting for has arrived. The trial begins for Ludovic Chevalier, accused of the brutal murder of three underage girls. Unlike most people, Kelly-Anne is fascinated by the man, she becomes obsessed with him and attends every single court hearing in the hope he’ll give her at least a fleeting glance. The border between reality and fantasy starts to blur, however, until Kelly-Anne ceases to be a mere passive observer. Pascal Plante once again expresses an interest in female subjectivity, nevertheless, this time he has come up with an arthouse thriller about the perilous attraction of evil. At the same time, the interplay between what we c黄金彩虹an and can’t see, and what is explicit and what is conjecture, develops into an almost physical viewing experience.